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Viewing China from Afar: Beyond Hollywood

China
On Jun 12, 2026
Viewing China from Afar: Beyond Hollywood
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SAN FRANCISCO, June 12, 2026 /PRNewswire/ — Through Viewing China from Afar: Beyond Hollywood, produced by People’s Daily Online West USA, audiences explore the ideas of Larry Namer, the media entrepreneur who helped build E! Entertainment Television and later came to view storytelling as a global language capable of connecting people across cultures, industries, and national borders.

Through Viewing China from Afar: Beyond Hollywood, produced by People’s Daily Online West USA, audiences explore the ideas of Larry Namer, the media entrepreneur who helped build E! Entertainment Television and later came to view storytelling as a global language capable of connecting people across cultures, industries, and national borders.

Over a career spanning decades, Namer witnessed dramatic changes in the entertainment business—from traditional television networks to the rise of digital media and global content platforms.

Over a career spanning decades, Namer witnessed dramatic changes in the entertainment business—from traditional television networks to the rise of digital media and global content platforms.

“Hollywood is no longer a place,” Namer says. “It's a standard.”

“Hollywood is no longer a place,” Namer says. “It’s a standard.”

That perspective evolved through his experiences working internationally, particularly in China, where he encountered a rapidly changing media landscape alongside cultural traditions that continue to shape how stories are told and understood.

That perspective evolved through his experiences working internationally, particularly in China, where he encountered a rapidly changing media landscape alongside cultural traditions that continue to shape how stories are told and understood.

Over a career spanning decades, Namer witnessed dramatic changes in the entertainment business—from traditional television networks to the rise of digital media and global content platforms. Yet his most enduring insight emerged from a simple belief: powerful stories are not defined by where they are created, but by their ability to resonate with people everywhere.

That perspective evolved through his experiences working internationally, particularly in China, where he encountered a rapidly changing media landscape alongside cultural traditions that continue to shape how stories are told and understood.

For Namer, one of the most revealing differences lies in the role of family. While Western narratives often focus on individual journeys, Chinese storytelling frequently reflects the experiences of multiple generations and the relationships that bind them together. Rather than viewing these differences as barriers, he sees them as opportunities to broaden the range of stories shared with global audiences.

These experiences ultimately led him to rethink one of the entertainment industry’s most familiar concepts.

“Hollywood is no longer a place,” Namer says. “It’s a standard.”

In his view, creativity is no longer confined to a single city or country. As technology expands access to audiences around the world, exceptional storytelling can emerge from anywhere. What matters is not geography, but imagination, quality, and the ability to connect with people on a human level.

Today, filmmakers, creators, and media companies increasingly operate in a global environment where ideas travel across borders in real time. Namer believes this shift is creating new opportunities for cultural exchange, allowing audiences to discover perspectives that were once beyond their reach.

At the same time, he argues that successful global storytelling does not require cultures to become more alike. On the contrary, distinctive cultural experiences often provide the foundation for the most compelling stories. The challenge is not to eliminate differences, but to communicate them in ways that others can understand and appreciate.

More than a portrait of a media pioneer, “Viewing China from Afar: Beyond Hollywood” reflects on the future of storytelling in an interconnected world. Through Namer’s experiences and observations, it explores how media can serve not only as entertainment, but also as a bridge between societies.

For Namer, the future of global media is not defined by technology, platforms, or markets alone. It is defined by the stories that reveal what people share despite their differences. In a world that often emphasizes divisions, he believes the most powerful stories are those that help individuals recognize themselves in the lives of others.

As storytelling continues to evolve beyond geographic and cultural boundaries, Namer’s journey offers a reminder that meaningful connection remains at the heart of every great story.

SOURCE People’s Daily Online WEST USA

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