Sci-fi isn’t the first genre that comes to mind when discussing Robert De Niro’s career. The performer has lent his talents to a variety of projects, but he’s primarily associated with crime dramas like “Goodfellas” and “The Godfather Part II.” Less is said about De Niro playing Frankenstein’s Monster in forgotten horror movies and his outing in Terry Gilliam’s “Brazil,” the latter of which marked the actor’s sci-fi debut.
“Brazil” is a dystopian sci-fi comedy about Sam Lowry (Jonathan Pryce), a lowly government employee who fantasizes about taking flight and being with his dream woman. When a clerical error puts Sam into contact with his potential soulmate, he becomes a target of the totalitarian regime he’s spent years working for. De Niro portrays Harry Tuttle, a rogue heating engineer who isn’t interested in following the state’s bureaucratic protocols.
Gilliam’s sci-fi flick bombed at the box office, earning just under $10 million from a $15 million production budget. However, “Brazil” was critically acclaimed for its visuals, humor, and Orwellian ideas that ponder a dark future for humanity. The movie boasts a 98% score on Rotten Tomatoes, indicating that it’s a top-tier sci-fi flick. The 1985 film’s fan base has grown over the years, and “Brazil” is now rightfully regarded as a genre classic. Still, there was a time when Gilliam and De Niro had to rage against the studio machine to get it released.
How Robert De Niro (and critics) saved Brazil
“Brazil” almost became one of many great ’80s sci-fi movies no one watched. Sid Sheinberg, the boss at Universal Pictures at the time, hated the movie and refused to release it unless significant changes were made. This prompted Gilliam to take out an ad in Variety calling out the executive for trying to bury the movie. Robert De Niro, meanwhile, used his high-profile reputation to aid the cause.
“Maria Shriver was running that show ‘Good Morning America,'” Gilliam told the “It Happened In Hollywood” podcast (via The Hollywood Reporter). “They had wanted to interview De Niro for a very long time. Bobby never did publicity for films. That’s why he’s a hero to me. But he said, ‘OK, they want to talk to me. We’ll go on the show — you and me.'”
Gilliam has made sci-fi movies that were unfairly hated by critics, but “Brazil” exists thanks to them loving it so much. The director screened the film for some reviewers hoping that a positive word-of-mouth campaign would convince Sheinberg to change his mind. The tactic ultimately worked, as “Brazil” was released after the LA Film Critics Association voted it as their best picture.